{"id":1345,"date":"2023-08-24T08:31:09","date_gmt":"2023-08-24T07:31:09","guid":{"rendered":"https:\/\/www.yvar-bregeant.com\/extract-from-volume-2-book-1-deciphering-cave-language\/"},"modified":"2024-01-03T19:35:59","modified_gmt":"2024-01-03T19:35:59","slug":"extract-from-volume-2-book-1-deciphering-cave-language","status":"publish","type":"post","link":"https:\/\/www.yvar-bregeant.com\/en\/extract-from-volume-2-book-1-deciphering-cave-language\/","title":{"rendered":"ADAM (KISH, GIZEH), THE GREAT PREHISTORIC PAIAN GOD or deciphering the language of the caves"},"content":{"rendered":"<style>.elementor-1345 .elementor-element.elementor-element-49e9b1fd{font-family:\"Times New Roman\", Sans-serif;font-size:20px;}.elementor-1345 .elementor-element.elementor-element-49e9b1fd > .elementor-widget-container{padding:10px 10px 10px 10px;}.elementor-1345 .elementor-element.elementor-element-3fc3ff3 .jeg-elementor-kit.jkit-button{text-align:center;}.elementor-1345 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.elementor-element.elementor-element-3fc3ff3 .jeg-elementor-kit.jkit-button.icon-position-after .jkit-button-wrapper i, .elementor-1345 .elementor-element.elementor-element-3fc3ff3 .jeg-elementor-kit.jkit-button.icon-position-after .jkit-button-wrapper svg{margin-left:10px;}.elementor-1345 .elementor-element.elementor-element-3fc3ff3 .jeg-elementor-kit.jkit-button .jkit-button-wrapper i, .elementor-1345 .elementor-element.elementor-element-3fc3ff3 .jeg-elementor-kit.jkit-button .jkit-button-wrapper svg{-webkit-transform:translateY(-1px);-ms-transform:translateY(-1px);-o-transform:translateY(-1px);-moz-transform:translateY(-1px);transform:translateY(-1px);}.elementor-1345 .elementor-element.elementor-element-3fc3ff3 > .elementor-widget-container{margin:0px 0px 0px 0px;}.elementor-1345 .elementor-element.elementor-element-3fc3ff3{width:var( --container-widget-width, 38.049% );max-width:38.049%;--container-widget-width:38.049%;--container-widget-flex-grow:0;align-self:center;}.elementor-1345 .elementor-element.elementor-element-3fc3ff3.elementor-element{--flex-grow:0;--flex-shrink:0;}.elementor-1345 .elementor-element.elementor-element-38e299d{--divider-border-style:solid;--divider-color:#000;--divider-border-width:1px;}.elementor-1345 .elementor-element.elementor-element-38e299d .elementor-divider-separator{width:100%;}.elementor-1345 .elementor-element.elementor-element-38e299d .elementor-divider{padding-block-start:15px;padding-block-end:15px;}.elementor-1345 .elementor-element.elementor-element-3163f6c{font-family:\"Times New Roman\", Sans-serif;font-size:20px;}.elementor-1345 .elementor-element.elementor-element-3163f6c > .elementor-widget-container{padding:10px 10px 10px 10px;}.elementor-1345 .elementor-element.elementor-element-1711ae7{--divider-border-style:solid;--divider-color:#000;--divider-border-width:1px;}.elementor-1345 .elementor-element.elementor-element-1711ae7 .elementor-divider-separator{width:100%;}.elementor-1345 .elementor-element.elementor-element-1711ae7 .elementor-divider{padding-block-start:15px;padding-block-end:15px;}.elementor-1345 .elementor-element.elementor-element-bf0e843{--display:flex;}.elementor-1345 .elementor-element.elementor-element-cd6765a{--display:flex;}@media(max-width:1024px){.elementor-1345 .elementor-element.elementor-element-3fc3ff3 .jeg-elementor-kit.jkit-button .jkit-button-wrapper{font-size:var( --e-global-typography-c3dbc50-font-size );line-height:var( --e-global-typography-c3dbc50-line-height );letter-spacing:var( --e-global-typography-c3dbc50-letter-spacing );word-spacing:var( --e-global-typography-c3dbc50-word-spacing );}}@media(max-width:767px){.elementor-1345 .elementor-element.elementor-element-3fc3ff3 .jeg-elementor-kit.jkit-button{text-align:center;}.elementor-1345 .elementor-element.elementor-element-3fc3ff3 .jeg-elementor-kit.jkit-button .jkit-button-wrapper{width:200px;font-size:var( --e-global-typography-c3dbc50-font-size );line-height:var( --e-global-typography-c3dbc50-line-height );letter-spacing:var( --e-global-typography-c3dbc50-letter-spacing );word-spacing:var( --e-global-typography-c3dbc50-word-spacing );}.elementor-1345 .elementor-element.elementor-element-3fc3ff3 > .elementor-widget-container{margin:0px 10px 10px 0px;}.elementor-1345 .elementor-element.elementor-element-3fc3ff3{width:100%;max-width:100%;}}<\/style>\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1345\" class=\"elementor elementor-1345 elementor-977\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6b1afffe elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6b1afffe\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-71e2bf26\" data-id=\"71e2bf26\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-49e9b1fd elementor-widget elementor-widget-text-editor\" data-id=\"49e9b1fd\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Below is a PDF excerpt from the book (in french only)<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3fc3ff3 elementor-widget__width-initial elementor-widget-mobile__width-inherit elementor-widget elementor-widget-jkit_button\" data-id=\"3fc3ff3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"jkit_button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div  class=\"jeg-elementor-kit jkit-button  icon-position-before jeg_module___69dfd522964f8\" ><a href=\"https:\/\/www.yvar-bregeant.com\/wp-content\/uploads\/2023\/12\/LE-DECHIFFRAGE-DU-LANGAGE-DES-CAVERNES-VERSION-ACADEMIA-EXTRAIT-111.pdf\" class=\"jkit-button-wrapper\" target=\"_blank\">EXTRAIT PDF (en fran\u00e7ais)<\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-38e299d elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"38e299d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2288aee elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2288aee\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-09687bd\" data-id=\"09687bd\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3163f6c elementor-widget elementor-widget-text-editor\" data-id=\"3163f6c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Please find below the contents of the book<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bfd6808 elementor-widget elementor-widget-accordion\" data-id=\"bfd6808\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-2011\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-2011\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">Contents of the book <\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2011\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-2011\"><p><a href=\"#_Toc150959468\">WEBSITE&#8230; 5<\/a><\/p>\n<p><a href=\"#_Toc150959469\">TABLE OF CONTENTS&#8230; 9<\/a><\/p>\n<p><a href=\"#_Toc150959470\">EXAMPLE OF THE LASCAUX SITE&#8230; 34<\/a><\/p>\n<p><a href=\"#_Toc150959471\"><strong><em>The Unicorn panel :<\/em><\/strong>. 34<\/a><\/p>\n<p><a href=\"#_Toc150959472\"><strong>WHAT&#8217;S A BRIEF EXPLANATION OF LASCAUX?<\/strong> 35<\/a><\/p>\n<p><a href=\"#_Toc150959473\"><strong><em>Brief deciphering<\/em><\/strong>.. 36<\/a><\/p>\n<p><a href=\"#_Toc150959474\"><strong>ROCK SIGNS<\/strong>.. 40<\/a><\/p>\n<p><a href=\"#_Toc150959475\"><strong><em>Examples of a dozen rock signs<\/em><\/strong> 40<\/a><\/p>\n<p><a href=\"#_Toc150959476\"><strong>Lascaux cave: The first bull in the Unicorn panel<\/strong> 40<\/a><\/p>\n<p><a href=\"#_Toc150959477\"><strong>Lascaux cave: Sign XIII of the feline diverticulum shaft<\/strong> 41<\/a><\/p>\n<p><a href=\"#_Toc150959478\"><strong>Pindal Cave: Salmon sign III<\/strong> 43<\/a><\/p>\n<p><a href=\"#_Toc150959479\"><strong>Marsoulas cave: the large panel fresco<\/strong> 44<\/a><\/p>\n<p><a href=\"#_Toc150959480\"><strong><em>The sign of two parallel horns<\/em><\/strong>.. 46<\/a><\/p>\n<p><a href=\"#_Toc150959481\"><strong><em>the spade-shaped sign<\/em><\/strong>. 46<\/a><\/p>\n<p><a href=\"#_Toc150959482\"><strong>Marsoulas cave: The second spade-shaped sign<\/strong> 47<\/a><\/p>\n<p><a href=\"#_Toc150959483\"><strong>Lascaux cave: the second Chinese horse<\/strong> 47<\/a><\/p>\n<p><a href=\"#_Toc150959484\"><strong>Lascaux cave: The black stag fresco<\/strong> 48<\/a><\/p>\n<p><a href=\"#_Toc150959485\"><strong>Lascaux cave: the four-arrow sign of the headless equid<\/strong> 49<\/a><\/p>\n<p><a href=\"#_Toc150959486\"><strong>Lascaux cave: The sign of the Great Black Bull<\/strong> 51<\/a><\/p>\n<p><a href=\"#_Toc150959487\"><strong><em>Conclusion of the presentation of these signs<\/em><\/strong> 52<\/a><\/p>\n<p><a href=\"#_Toc150959488\">THE ROCK SIGNS. SIGNIFICANCE. 53<\/a><\/p>\n<p><a href=\"#_Toc150959489\"><strong>Structuring<\/strong>.. 53<\/a><\/p>\n<p><a href=\"#_Toc150959490\">THE PROBLEM POSED BY THE ASSERTION THAT SUMERIAN IS THE UNIVERSAL KEYSTONE OF THE SYMBOLIC LANGUAGE OF THE FALSE ORIGINAL RELIGION 59<\/a><\/p>\n<p><a href=\"#_Toc150959491\"><strong>The refusal of archaeologists&#8217; corporatism<\/strong> 59<\/a><\/p>\n<p><a href=\"#_Toc150959492\"><strong>The time gap between the Upper Paleolithic and Sumer<\/strong> 60<\/a><\/p>\n<p><a href=\"#_Toc150959493\"><strong><em>Prehistoric timeline<\/em><\/strong>.. 61<\/a><\/p>\n<p><a href=\"#_Toc150959494\"><strong><em>Paleolithic time line<\/em><\/strong>.. 61<\/a><\/p>\n<p><a href=\"#_Toc150959495\"><strong><em>The six oldest civilizations in history<\/em><\/strong> 62<\/a><\/p>\n<p><a href=\"#_Toc150959496\"><strong><em>Timeline of the six civilizations<\/em><\/strong>.. 64<\/a><\/p>\n<p><a href=\"#_Toc150959497\"><strong>Why is Sumer the most archaic civilization in history?<\/strong> 65<\/a><\/p>\n<p><a href=\"#_Toc150959498\"><strong><em>About Sumerian writing:<\/em><\/strong>. 65<\/a><\/p>\n<p><a href=\"#_Toc150959499\"><strong>Parenth\u00e8se sur L&#8217;importance donn\u00e9e \u00c0 Uruk<\/strong> : 65<\/a><\/p>\n<p><a href=\"#_Toc150959500\"><strong>The relative importance of Uruk compared with other sites in Lower Mesopotamia<\/strong>.. 67<\/a><\/p>\n<p><a href=\"#_Toc150959501\"><strong><em>A note for believers<\/em><\/strong>.. 68<\/a><\/p>\n<p><a href=\"#_Toc150959502\"><strong><em>Concerning Scripture in Egypt:<\/em><\/strong>. 69<\/a><\/p>\n<p><a href=\"#_Toc150959503\"><strong>An important note on demotic<\/strong> 71<\/a><\/p>\n<p><a href=\"#_Toc150959504\"><strong>Coptic<\/strong>.. 71<\/a><\/p>\n<p><a href=\"#_Toc150959505\"><strong>The demotic<\/strong>.. 72<\/a><\/p>\n<p><a href=\"#_Toc150959506\"><strong>The hieratic<\/strong>.. 73<\/a><\/p>\n<p><a href=\"#_Toc150959507\"><strong>Conclusion on the importance of demotic<\/strong> 73<\/a><\/p>\n<p><a href=\"#_Toc150959508\"><strong><em>About writing in the Indus Valley:<\/em><\/strong> 74<\/a><\/p>\n<p><a href=\"#_Toc150959509\"><strong><em>About writing in China :<\/em><\/strong>. 74<\/a><\/p>\n<p><a href=\"#_Toc150959510\"><strong><em>About writing in the Central Andes :<\/em><\/strong> 75<\/a><\/p>\n<p><a href=\"#_Toc150959511\"><strong><em>About writing in Mesoamerica :<\/em><\/strong> 75<\/a><\/p>\n<p><a href=\"#_Toc150959512\"><strong><em>About the Proto-Indo-European language<\/em><\/strong> 76<\/a><\/p>\n<p><a href=\"#_Toc150959513\"><strong>From the Bible reader&#8217;s point of view, Indo-European languages fall within the sphere of influence of Japhet&#8217;s descendants.<\/strong> 77<\/a><\/p>\n<p><a href=\"#_Toc150959514\"><strong>Other Proto-European languages<\/strong> 78<\/a><\/p>\n<p><a href=\"#_Toc150959515\"><strong><em>Finno-Ugric languages<\/em><\/strong>.. 78<\/a><\/p>\n<p><a href=\"#_Toc150959516\"><strong><em>Hittite<\/em><\/strong>.. 79<\/a><\/p>\n<p><a href=\"#_Toc150959517\"><strong><em>The Cretan<\/em><\/strong>.. 80<\/a><\/p>\n<p><a href=\"#_Toc150959518\"><strong><em>A final important parenthesis on Elamite<\/em><\/strong> 81<\/a><\/p>\n<p><a href=\"#_Toc150959519\"><strong>Conclusion on the time gap between the Upper Paleolithic and Sumer<\/strong>.. 85<\/a><\/p>\n<p><a href=\"#_Toc150959520\">COMPARISON TABLE BETWEEN RUPESTRIAN SIGNS AND REFERENCE IDEOGRAPHIC SIGNS&#8230; 88<\/a><\/p>\n<p><a href=\"#_Toc150959521\"><strong>Comparative ideographic script sign references :<\/strong> 95<\/a><\/p>\n<p><a href=\"#_Toc150959522\"><strong>Conclusion<\/strong>.. 97<\/a><\/p>\n<p><a href=\"#_Toc150959523\"><strong>The nature of ideographic reference writing in question<\/strong> 101<\/a><\/p>\n<p><a href=\"#_Toc150959524\"><strong><em>Adam Falkenstein&#8217;s list of signs, 1936<\/em><\/strong> 102<\/a><\/p>\n<p><a href=\"#_Toc150959525\"><strong><em>CNIL&#8217;s list of signs<\/em><\/strong>.. 104<\/a><\/p>\n<p><a href=\"#_Toc150959526\"><strong><em>Referencing<\/em><\/strong>.. 106<\/a><\/p>\n<p><a href=\"#_Toc150959527\"><strong><em>Clarification of the basic functioning of the Sumerian ideographic system with the notions of logogram and agglutinative language<\/em><\/strong> 106<\/a><\/p>\n<p><a href=\"#_Toc150959528\">SEMIOLOGICAL DEMONSTRATION&#8230; 110<\/a><\/p>\n<p><a href=\"#_Toc150959529\"><strong>Previous scientific research on this subject and its conclusions<\/strong>.. 112<\/a><\/p>\n<p><a href=\"#_Toc150959530\"><strong><em>the research of Andr\u00e9 Leroi-Gourhan<\/em><\/strong>.. 112<\/a><\/p>\n<p><a href=\"#_Toc150959531\"><strong>First members of the pair<\/strong>.. 114<\/a><\/p>\n<p><a href=\"#_Toc150959532\"><strong><em>Oval signs<\/em><\/strong>.. 114<\/a><\/p>\n<p><a href=\"#_Toc150959533\"><strong><em>Triangular signs<\/em><\/strong>.. 114<\/a><\/p>\n<p><a href=\"#_Toc150959534\"><strong><em>Scutiform (shield-shaped) signs<\/em><\/strong> 114<\/a><\/p>\n<p><a href=\"#_Toc150959535\"><strong><em>Comb-shaped signs (pettiforme)<\/em><\/strong>. 114<\/a><\/p>\n<p><a href=\"#_Toc150959536\"><strong><em>Grid signs<\/em><\/strong>.. 114<\/a><\/p>\n<p><a href=\"#_Toc150959537\"><strong><em>Claviform signs (for, according to him, club-shaped)<\/em><\/strong> 114<\/a><\/p>\n<p><a href=\"#_Toc150959538\"><strong>Second members of the pair<\/strong>.. 115<\/a><\/p>\n<p><a href=\"#_Toc150959539\"><strong><em>Feather or twig signs<\/em><\/strong>.. 115<\/a><\/p>\n<p><a href=\"#_Toc150959540\"><strong><em>In stick formt<\/em><\/strong>.. 115<\/a><\/p>\n<p><a href=\"#_Toc150959541\"><strong><em>Signs in line of dots<\/em><\/strong>.. 115<\/a><\/p>\n<p><a href=\"#_Toc150959542\"><strong><em>In short hatchings<\/em><\/strong>.. 115<\/a><\/p>\n<p><a href=\"#_Toc150959543\"><strong>Uncoupled signs<\/strong>.. 115<\/a><\/p>\n<p><a href=\"#_Toc150959544\"><strong>Examples of signs<\/strong>.. 116<\/a><\/p>\n<p><a href=\"#_Toc150959545\"><strong>Examples of signs associated with animals<\/strong> 118<\/a><\/p>\n<p><a href=\"#_Toc150959546\"><strong><em>Simple sets<\/em><\/strong>.. 118<\/a><\/p>\n<p><a href=\"#_Toc150959547\"><strong><em>Complex sets<\/em><\/strong>.. 119<\/a><\/p>\n<p><a href=\"#_Toc150959548\"><strong>Injured animals and hunting magic<\/strong> 119<\/a><\/p>\n<p><a href=\"#_Toc150959549\"><strong><em>Example of a wounded animal<\/em><\/strong> 119<\/a><\/p>\n<p><a href=\"#_Toc150959550\"><strong>The conclusion of Leroi Gourhan<\/strong>.. 120<\/a><\/p>\n<p><a href=\"#_Toc150959551\"><strong>What to think of his work?<\/strong>.. 122<\/a><\/p>\n<p><a href=\"#_Toc150959552\"><strong><em>The research of Georges Sauvet Suzanne Sauvet and Andr\u00e9 Wlodarczyk<\/em><\/strong> 124<\/a><\/p>\n<p><a href=\"#_Toc150959553\">Introduction.. 124<\/a><\/p>\n<p><a href=\"#_Toc150959554\">typology of parietal signs&#8230; 125<\/a><\/p>\n<ol>\n<li><a href=\"#_Toc150959555\"><strong> Point-down (a) and point-up (b) triangles.<\/strong> 126<\/a><\/li>\n<li><a href=\"#_Toc150959556\"><strong> Circles and ovals (a); semicircles (b)<\/strong> 126<\/a><\/li>\n<\/ol>\n<p><a href=\"#_Toc150959557\"><strong>III. Quadrilat\u00e8res typiques (a), with appendixes (b) and open (c) [&#8220;grids&#8221; or &#8220;combs&#8221;].<\/strong>. 126<\/a><\/p>\n<ol>\n<li><a href=\"#_Toc150959558\"><strong> Quadrilaterals with square (a), triangular (b) and hemicircular (c) outgrowths<\/strong>. 126<\/a><\/li>\n<li><a href=\"#_Toc150959559\"><strong> Claviforms with square (a) triangular (b) and hemicircular (c) outgrowths&#8230;<\/strong>&#8230;. 127<\/a><\/li>\n<li><a href=\"#_Toc150959560\"><strong> True tectiform pentagons (a) and open pseudotectiform pentagons (b)<\/strong> 127<\/a><\/li>\n<\/ol>\n<p><a href=\"#_Toc150959561\"><strong>VII. Single-axis (a) and multi-axis (b) arrows<\/strong> 127<\/a><\/p>\n<p><a href=\"#_Toc150959562\"><strong>VIII. Barbed and &#8220;branch&#8221; signs<\/strong> 127<\/a><\/p>\n<ol>\n<li><a href=\"#_Toc150959563\"><strong> Chevrons point up (a) and point down (b); zigzags (c)<\/strong> 128<\/a><\/li>\n<li><a href=\"#_Toc150959564\"><strong> Cross<\/strong>&#8230; 128<\/a><\/li>\n<li><a href=\"#_Toc150959565\"><strong> Sticks<\/strong>.. 128<\/a><\/li>\n<\/ol>\n<p><a href=\"#_Toc150959566\"><strong>XII. Single-line (a) and multiple-line (b) punctuations; point clouds (c).<\/strong> 128<\/a><\/p>\n<p><a href=\"#_Toc150959567\"><strong><em>Additions to the basic shape<\/em><\/strong>.. 129<\/a><\/p>\n<p><a href=\"#_Toc150959568\"><strong>Spreadheet II. &#8211; Franco-Cantabrian rectangles with additions to the basic shape<\/strong>.. 130<\/a><\/p>\n<p><a href=\"#_Toc150959569\"><strong>Association of multiple additions to the basic shape<\/strong> 130<\/a><\/p>\n<p><a href=\"#_Toc150959570\"><strong><em>Association of elementary signs to create complex signs<\/em><\/strong>.. 132<\/a><\/p>\n<p><a href=\"#_Toc150959571\"><strong>Table IV. &#8211; Processes for obtaining complex signs<\/strong> 132<\/a><\/p>\n<p><a href=\"#_Toc150959572\"><strong>The results of their research into the reality of a syntax<\/strong> 133<\/a><\/p>\n<p><a href=\"#_Toc150959573\"><strong>The means of major interpretations<\/strong> 133<\/a><\/p>\n<p><a href=\"#_Toc150959574\"><strong><em>in Relation with animals<\/em><\/strong>.. 133<\/a><\/p>\n<p><a href=\"#_Toc150959575\"><strong>Fig. 3. &#8220;Cheval aux 14 claviformes&#8221; from the Trois-Fr\u00e8res cave (Ari\u00e8ge), by H. Breuil, several meters above sea level.<\/strong>  134<\/a><\/p>\n<p><a href=\"#_Toc150959576\"><strong>Fig. 4 &#8211; Schematic animal and sign associations<\/strong> 135<\/a><\/p>\n<p><a href=\"#_Toc150959577\"><strong><em>Evidencing syntax through relations between signs<\/em><\/strong> 135<\/a><\/p>\n<p><a href=\"#_Toc150959578\"><strong>Fig. 2 &#8211; Key compatibility in binary association<\/strong> 137<\/a><\/p>\n<p><a href=\"#_Toc150959579\"><strong>Complementary means of interpretation<\/strong> 138<\/a><\/p>\n<p><a href=\"#_Toc150959580\"><strong><em>The cave context:<\/em><\/strong>. 139<\/a><\/p>\n<p><a href=\"#_Toc150959581\"><strong><em>Integrating the sign with the surrounding rock :<\/em><\/strong> 139<\/a><\/p>\n<p><a href=\"#_Toc150959582\"><strong><em>Topography<\/em><\/strong>.. 139<\/a><\/p>\n<p><a href=\"#_Toc150959583\"><strong><em>Execution technique<\/em><\/strong>.. 139<\/a><\/p>\n<p><a href=\"#_Toc150959584\">Their views on the search for meaning through ethnographic comparative analysis with more recent practices 140<\/a><\/p>\n<p><a href=\"#_Toc150959585\"><strong>Table VII: Morphological comparison between Paleolithic signs and ideograms<\/strong>.. 141<\/a><\/p>\n<p><a href=\"#_Toc150959586\"><strong>Note.<\/strong> 142<\/a><\/p>\n<p><a href=\"#_Toc150959587\"><strong><em>Denis Vialou&#8217;s research<\/em><\/strong>.. 143<\/a><\/p>\n<p><a href=\"#_Toc150959588\"><strong>Note :<\/strong>. 144<\/a><\/p>\n<p><a href=\"#_Toc150959589\"><strong><em>Genevi\u00e8ve von Petzinger&#8217;s research<\/em><\/strong> 144<\/a><\/p>\n<p><a href=\"#_Toc150959590\"><strong>Fundamental mistakes made by reference archaeologists 145<\/strong><\/a><\/p>\n<p><a href=\"#_Toc150959591\"><strong><em>Obvious contradictions in reasoning<\/em><\/strong> 146<\/a><\/p>\n<p><a href=\"#_Toc150959592\"><strong>the unethical nature of comparing periods that are too far apart in time<\/strong>.. 146<\/a><\/p>\n<p><a href=\"#_Toc150959593\"><strong>when a single prehistoric semiological system has been homogeneous for tens of thousands of years?<\/strong>  149<\/a><\/p>\n<p><a href=\"#_Toc150959594\"><strong>Other contradictions&#8230;<\/strong>&#8230;. 150<\/a><\/p>\n<p><a href=\"#_Toc150959595\"><strong>The end of swallowing non sense ?<\/strong>.. 151<\/a><\/p>\n<p><a href=\"#_Toc150959596\"><strong>Why archaeologists have so far missed the solution<\/strong> 154<\/a><\/p>\n<p><a href=\"#_Toc150959597\"><strong><em>archaeologists have set themselves up as specialists in archaic languages, when in fact they are not.<\/em><\/strong>  155<\/a><\/p>\n<p><a href=\"#_Toc150959598\"><strong><em>\u2026 An implausible comparative analysis of ideographic scriptures<\/em><\/strong> 156<\/a><\/p>\n<p><a href=\"#_Toc150959599\"><strong><em>A comparison based on a few simple signs, which are therefore simplistic and, moreover, difficult to read and understand.<\/em><\/strong> 158<\/a><\/p>\n<p><a href=\"#_Toc150959600\"><strong>the fact that identical ideographic signs from different ideographic languages apparently have different meanings is proof of a dead end?<\/strong>.. 158<\/a><\/p>\n<p><a href=\"#_Toc150959601\"><strong>poorly translated and misunderstood signs<\/strong> 160<\/a><\/p>\n<p><a href=\"#_Toc150959602\"><strong><em>Triangles as examples<\/em><\/strong>.. 160<\/a><\/p>\n<p><a href=\"#_Toc150959603\"><strong><em>The branches as an example<\/em><\/strong>.. 161<\/a><\/p>\n<p><a href=\"#_Toc150959604\"><strong><em>Rectangles taken as examples<\/em><\/strong>.. 163<\/a><\/p>\n<p><a href=\"#_Toc150959605\"><strong><em>The circle and semicircle as an example<\/em><\/strong> 167<\/a><\/p>\n<p><a href=\"#_Toc150959606\"><strong><em>Claviformes as an example<\/em><\/strong>.. 168<\/a><\/p>\n<p><a href=\"#_Toc150959607\"><strong>So what interpretation is to be preferred if two signs in two ideographic scripts look the same, but have different meanings?<\/strong>  174<\/a><\/p>\n<p><a href=\"#_Toc150959608\"><strong>A truly objective analysis of ideographic writing<\/strong> 175<\/a><\/p>\n<p><a href=\"#_Toc150959609\"><strong><em>chronological hierarchy of the Scriptures considered<\/em><\/strong> 176<\/a><\/p>\n<p><a href=\"#_Toc150959610\"><strong>A chronological hierarchy made all the more necessary by the sudden emergence of multiple semiological systems<\/strong> 177<\/a><\/p>\n<p><a href=\"#_Toc150959611\"><strong><em>Comparative analysis of sign lists in different ideographic scripts<\/em><\/strong>.. 179<\/a><\/p>\n<p><a href=\"#_Toc150959612\"><strong>La liste des signes proto-cun\u00e9iformes (- 3 500)<\/strong> 179<\/a><\/p>\n<p><a href=\"#_Toc150959613\"><strong><em>Presentation of cupules<\/em><\/strong>.. 181<\/a><\/p>\n<p><a href=\"#_Toc150959614\"><strong><em>Presentation of point clouds<\/em><\/strong>.. 183<\/a><\/p>\n<p><a href=\"#_Toc150959615\"><strong><em>Presentation of splines<\/em><\/strong>.. 184<\/a><\/p>\n<p><a href=\"#_Toc150959616\"><strong>Access to the list of proto-cuneiform signs unavailable?<\/strong>  185<\/a><\/p>\n<p><a href=\"#_Toc150959617\"><strong>The list of proto-heroglyphic signs (-3,500)<\/strong> 186<\/a><\/p>\n<p><a href=\"#_Toc150959618\"><strong>List of signs for proto-Elamite (- 3,100) and linear Elamite (- 2,300)<\/strong> 187<\/a><\/p>\n<p><a href=\"#_Toc150959619\">A brief overview of the main signs of proto-elamite: 189<\/a><\/p>\n<p><a href=\"#_Toc150959620\">Analogies between Proto-Elamite and Proto-Cuneiform sign lists 190<\/a><\/p>\n<p><a href=\"#_Toc150959621\">The authors&#8217; distinction between proto-elamite and linear elamite 191<\/a><\/p>\n<p><a href=\"#_Toc150959622\">The table of the first comparison of similar signs between proto-elamite (PE) and linear elamite (LE) by P. Merigi 191<\/a><\/p>\n<p><a href=\"#_Toc150959623\">Table of signs for linear elamite. 192<\/a><\/p>\n<p><a href=\"#_Toc150959624\">Further comparison of proto-Elamite and linear Elamite signs 192<\/a><\/p>\n<p><a href=\"#_Toc150959625\">Signes patronymiques proto-\u00e9lamites. 193<\/a><\/p>\n<p><a href=\"#_Toc150959626\"><strong><em>Comparison of proto-Elamite and linear Elamite sign lists with cave signs<\/em><\/strong>.. 193<\/a><\/p>\n<p><a href=\"#_Toc150959627\"><strong>Proto-Elamite sign list:<\/strong> 193<\/a><\/p>\n<p><a href=\"#_Toc150959628\"><strong>list of linear elamite signs :<\/strong> 198<\/a><\/p>\n<p><a href=\"#_Toc150959629\"><strong><em>Conclusion on proto-elamite and linear elamite<\/em><\/strong> 202<\/a><\/p>\n<p><a href=\"#_Toc150959630\"><strong>the list of Andean signs (- 3,200)<\/strong>. 203<\/a><\/p>\n<p><a href=\"#_Toc150959631\"><strong>the list of Egyptian hieroglyphic signs (- 3,100)<\/strong> 203<\/a><\/p>\n<p><a href=\"#_Toc150959632\"><strong>Sign categories represented :<\/strong> 203<\/a><\/p>\n<p><a href=\"#_Toc150959633\"><strong>Unrepresented categories :<\/strong> 208<\/a><\/p>\n<p><a href=\"#_Toc150959634\"><strong><em>Conclusion on the list of hieroglyphic signs<\/em><\/strong> 209<\/a><\/p>\n<p><a href=\"#_Toc150959635\"><strong>la liste des signes proto-indiens (- 2 600)<\/strong> 209<\/a><\/p>\n<p><a href=\"#_Toc150959636\"><strong>Sign categories represented :<\/strong> 211<\/a><\/p>\n<p><a href=\"#_Toc150959637\"><strong>Sign categories not represented :<\/strong> 212<\/a><\/p>\n<p><a href=\"#_Toc150959638\"><strong><em>Conclusion sur la liste des signes proto-indiens<\/em><\/strong> 212<\/a><\/p>\n<p><a href=\"#_Toc150959639\"><strong>the list of Cretan hieroglyphic signs (- 2,000)<\/strong> 213<\/a><\/p>\n<p><a href=\"#_Toc150959640\"><strong>Sign categories represented :<\/strong> 215<\/a><\/p>\n<p><a href=\"#_Toc150959641\"><strong>Sign categories not represented :<\/strong> 217<\/a><\/p>\n<p><a href=\"#_Toc150959642\"><strong><em>Conclusion on the list of Cretan hieroglyphic signs<\/em><\/strong> 217<\/a><\/p>\n<p><a href=\"#_Toc150959643\"><strong>the list of Chinese ideographic signs (- 1,600)<\/strong> 218<\/a><\/p>\n<p><a href=\"#_Toc150959644\"><strong>Sign categories represented :<\/strong> 222<\/a><\/p>\n<p><a href=\"#_Toc150959645\"><strong>Sign categories not represented :<\/strong> 223<\/a><\/p>\n<p><a href=\"#_Toc150959646\">Analogies between Sumerian, hieroglyphs and ossecaille 224<\/a><\/p>\n<p><a href=\"#_Toc150959647\"><strong><em>Conclusion on the list of signs for ossecaille Chinese ideograms<\/em><\/strong> 230<\/a><\/p>\n<p><a href=\"#_Toc150959648\"><strong>the list of signs of the Olmec script (- 1,600)<\/strong> 231<\/a><\/p>\n<p><a href=\"#_Toc150959649\"><strong>Sign categories represented :<\/strong> 234<\/a><\/p>\n<p><a href=\"#_Toc150959650\"><strong>Sign categories not represented :<\/strong> 234<\/a><\/p>\n<p><a href=\"#_Toc150959651\"><strong>Analogies between proto-Cuneiform, proto-Elamite and Olmec<\/strong> 235<\/a><\/p>\n<p><a href=\"#_Toc150959652\"><strong><em>Conclusion on the list of signs for Olmec ideograms<\/em><\/strong> 236<\/a><\/p>\n<p><a href=\"#_Toc150959653\"><strong>the Hittite (Louvite) list of ideographic signs (- 1,500)<\/strong> 237<\/a><\/p>\n<p><a href=\"#_Toc150959654\"><strong>Sign categories represented :<\/strong> 240<\/a><\/p>\n<p><a href=\"#_Toc150959655\"><strong>Sign categories not represented :<\/strong> 244<\/a><\/p>\n<p><a href=\"#_Toc150959656\"><strong>examples of additional sign categories :<\/strong> 244<\/a><\/p>\n<p><a href=\"#_Toc150959657\"><strong>Analogies between Hittite and Sumerian and hieroglyphs<\/strong> 244<\/a><\/p>\n<p><a href=\"#_Toc150959658\"><strong><em>Conclusion on the list of signs in Hittite hieroglyphs<\/em><\/strong> 249<\/a><\/p>\n<p><a href=\"#_Toc150959659\"><strong><em>By way of illustration: the Hittite syllabary in cuneiform<\/em><\/strong> 249<\/a><\/p>\n<p><a href=\"#_Toc150959660\"><strong>Hittite cuneiforms and animal signs<\/strong> 251<\/a><\/p>\n<p><a href=\"#_Toc150959661\"><strong>other important signs :<\/strong>. 253<\/a><\/p>\n<p><a href=\"#_Toc150959662\"><strong>The list of Mayan script signs (- 300)<\/strong> 253<\/a><\/p>\n<p><a href=\"#_Toc150959663\"><strong><em>Conclusion on the list of Mayan hieroglyphic signs<\/em><\/strong> 257<\/a><\/p>\n<p><a href=\"#_Toc150959664\"><strong>Intermediate findings from analysis of lists of different archaic or ancient ideographic languages<\/strong> 259<\/a><\/p>\n<p><a href=\"#_Toc150959665\"><strong><em>The most archaic, the most complete, the most influential: proto-cuneiform<\/em><\/strong> 259<\/a><\/p>\n<p><a href=\"#_Toc150959666\"><strong><em>Comparative analysis of the rules of each semiological system<\/em><\/strong> 262<\/a><\/p>\n<p><a href=\"#_Toc150959667\"><strong>The interpenetration of language between animal signs and signs is found in proto-cuneiform<\/strong>.. 263<\/a><\/p>\n<p><a href=\"#_Toc150959668\"><strong><em>Examples of animal signs<\/em><\/strong>.. 263<\/a><\/p>\n<p><a href=\"#_Toc150959669\"><strong><em>examples of sign associations with animal signs :<\/em><\/strong> 267<\/a><\/p>\n<p><a href=\"#_Toc150959670\"><strong>By superposition :<\/strong>. 267<\/a><\/p>\n<p><a href=\"#_Toc150959671\"><strong>By juxtaposition :<\/strong>. 269<\/a><\/p>\n<p><a href=\"#_Toc150959672\"><strong><em>Animal signs in other ideographic scriptures and their association with other signs<\/em><\/strong>.. 270<\/a><\/p>\n<p><a href=\"#_Toc150959673\"><strong><em>Proto-cuneiform findings<\/em><\/strong>.. 271<\/a><\/p>\n<p><a href=\"#_Toc150959674\"><strong>The 3 rules for composing complex signs<\/strong> 272<\/a><\/p>\n<p><a href=\"#_Toc150959675\"><strong><em>int\u00e9gration<\/em><\/strong>.. 272<\/a><\/p>\n<p><a href=\"#_Toc150959676\"><strong>Examples from the proto-cuneiform<\/strong>.. 273<\/a><\/p>\n<p><a href=\"#_Toc150959677\"><strong>Other ideographic languages and integration \/ Findings<\/strong> 275<\/a><\/p>\n<p><a href=\"#_Toc150959678\"><strong><em>overlay<\/em><\/strong>.. 276<\/a><\/p>\n<p><a href=\"#_Toc150959679\"><strong>Examples from the proto-cuneiform<\/strong>.. 276<\/a><\/p>\n<p><a href=\"#_Toc150959680\"><strong>Other ideographic languages and superposition \/ observations and findings<\/strong>.. 280<\/a><\/p>\n<p><a href=\"#_Toc150959681\"><strong>Overlay statement<\/strong>.. 282<\/a><\/p>\n<p><a href=\"#_Toc150959682\"><strong><em>juxtaposition<\/em><\/strong>.. 283<\/a><\/p>\n<p><a href=\"#_Toc150959683\"><strong>Examples from the proto-cuneiform<\/strong>.. 283<\/a><\/p>\n<p><a href=\"#_Toc150959684\"><strong>Other ideographic languages and juxtaposition \/ observations and findings<\/strong>.. 285<\/a><\/p>\n<p><a href=\"#_Toc150959685\"><strong>Observation for juxtaposition<\/strong>.. 287<\/a><\/p>\n<p><a href=\"#_Toc150959686\"><strong><em>Conclusion for the comparative analysis of complex sign composition rules (integration, superposition, juxtaposition)<\/em><\/strong> 288<\/a><\/p>\n<p><a href=\"#_Toc150959687\"><strong>Comparative analysis of syntax rules<\/strong> 290<\/a><\/p>\n<p><a href=\"#_Toc150959688\"><strong><em>preliminary observations on the biases of a strictly statistical and geometric approach<\/em><\/strong>.. 290<\/a><\/p>\n<p><a href=\"#_Toc150959689\"><strong>The biases of a purely statistical approach<\/strong> 290<\/a><\/p>\n<p><a href=\"#_Toc150959690\"><strong>An approach to meaning based on sign geometry alone makes&#8230; no sense in proto-Cuneiform linguistics<\/strong>.. 294<\/a><\/p>\n<p><a href=\"#_Toc150959691\"><strong>Conclusion of this preliminary information<\/strong> 295<\/a><\/p>\n<p><a href=\"#_Toc150959692\"><strong><em>Structuring of this analysis<\/em><\/strong>.. 295<\/a><\/p>\n<p><a href=\"#_Toc150959693\"><strong><em>Two out of three messages are made up of a single key, and the number of complex signs associating several keys decreases with the number of keys used, reaching a maximum of 4 associations.<\/em><\/strong>.. 296<\/a><\/p>\n<p><a href=\"#_Toc150959694\"><strong><em>Analysis of the combination rules of the 9 major keys :<\/em><\/strong> 297<\/a><\/p>\n<p><a href=\"#_Toc150959695\"><strong><em>Incompatibilities :<\/em><\/strong>. 298<\/a><\/p>\n<p><a href=\"#_Toc150959696\"><strong>Incompatibility Oval \/ triangle :<\/strong> 298<\/a><\/p>\n<p><a href=\"#_Toc150959697\"><strong><em>Arrow \/ Rameau incompatibility :<\/em><\/strong>. 299<\/a><\/p>\n<p><a href=\"#_Toc150959698\"><strong>Incompatibility Quadrilateral \/ Arrow or Rameau :<\/strong> 299<\/a><\/p>\n<p><a href=\"#_Toc150959699\"><strong>Incompatible Chevron \/ Triangle or branch :<\/strong> 302<\/a><\/p>\n<p><a href=\"#_Toc150959700\"><strong><em>Points and sticks can be combined with all the others<\/em><\/strong> 302<\/a><\/p>\n<p><a href=\"#_Toc150959701\"><strong><em>Syntax rules in other ideographic scriptures<\/em><\/strong> 303<\/a><\/p>\n<p><a href=\"#_Toc150959702\"><strong>The number of complex signs decreases with the number of keys used, reaching a maximum of 4 associations.<\/strong>  303<\/a><\/p>\n<p><a href=\"#_Toc150959703\"><strong>All the rules governing incompatibility between signs<\/strong> 304<\/a><\/p>\n<p><a href=\"#_Toc150959704\"><strong>Sticks and dotted lines can be combined with all signs.<\/strong> 305<\/a><\/p>\n<p><a href=\"#_Toc150959705\"><strong><em>Conclusion to the comparative analysis of syntax rules<\/em><\/strong> 306<\/a><\/p>\n<p><a href=\"#_Toc150959706\"><strong><em>Final conclusion of a correct comparative analysis of sign lists and rules<\/em><\/strong>.. 307<\/a><\/p>\n<p><a href=\"#_Toc150959707\"><strong>Seniority<\/strong>.. 307<\/a><\/p>\n<p><a href=\"#_Toc150959708\"><strong>Corpus<\/strong>.. 307<\/a><\/p>\n<p><a href=\"#_Toc150959709\"><strong>List of signs<\/strong>.. 308<\/a><\/p>\n<p><a href=\"#_Toc150959710\"><strong>Rules of the semiological system<\/strong>.. 308<\/a><\/p>\n<p><a href=\"#_Toc150959711\">DECIPHERING THE TEN OR SO PREHISTORIC SIGNS! 312<\/a><\/p>\n<p><a href=\"#_Toc150959712\"><strong>Pronunciation rules for Sumerian and Egyptian transliterations<\/strong> 313<\/a><\/p>\n<p><a href=\"#_Toc150959713\"><strong><em>Transliteration and pronunciation of Egyptian alphabetic phonetic hieroglyphs<\/em><\/strong>.. 314<\/a><\/p>\n<p><a href=\"#_Toc150959714\"><strong><em>Transliteration and pronunciation of Sumerian alphabetic cuneiforms<\/em><\/strong>.. 316<\/a><\/p>\n<p><a href=\"#_Toc150959715\"><strong>Lascaux cave: The first bull in the Unicorn panel<\/strong> 319<\/a><\/p>\n<p><a href=\"#_Toc150959716\"><strong><em>The I sign<\/em><\/strong>. 320<\/a><\/p>\n<p><a href=\"#_Toc150959717\"><strong>In proto-cuneiform<\/strong>.. 320<\/a><\/p>\n<p><a href=\"#_Toc150959718\"><strong>In hieroglyphics<\/strong>.. 321<\/a><\/p>\n<p><a href=\"#_Toc150959719\"><strong><em>Single vertical line<\/em><\/strong>.. 321<\/a><\/p>\n<p><a href=\"#_Toc150959720\"><strong><em>Horizontal single line<\/em><\/strong>.. 324<\/a><\/p>\n<p><a href=\"#_Toc150959721\"><strong><em>The simple diagonal line<\/em><\/strong>.. 325<\/a><\/p>\n<p><a href=\"#_Toc150959722\"><strong><em>The sign of two single oblique or vertical lines<\/em><\/strong> 326<\/a><\/p>\n<p><a href=\"#_Toc150959723\"><strong><em>Sign III<\/em><\/strong>. 328<\/a><\/p>\n<p><a href=\"#_Toc150959724\"><strong>In proto-cuneiform<\/strong>.. 328<\/a><\/p>\n<p><a href=\"#_Toc150959725\"><strong>In hieroglyphics<\/strong>.. 328<\/a><\/p>\n<p><a href=\"#_Toc150959726\"><strong><em>The Z2 vertical triplet line<\/em><\/strong>.. 328<\/a><\/p>\n<p><a href=\"#_Toc150959727\"><strong><em>The three superimposed lines Z3 and Z3A<\/em><\/strong>.. 330<\/a><\/p>\n<p><a href=\"#_Toc150959728\"><strong><em>The three inclined lines Z2C<\/em><\/strong>.. 331<\/a><\/p>\n<p><a href=\"#_Toc150959729\"><strong><em>The three minaret features Z2A<\/em><\/strong>.. 332<\/a><\/p>\n<p><a href=\"#_Toc150959730\"><strong>In demotic<\/strong>.. 333<\/a><\/p>\n<p><a href=\"#_Toc150959731\"><strong>Conclusion on III<\/strong>. 337<\/a><\/p>\n<p><a href=\"#_Toc150959732\"><strong><em>The sign around sign III<\/em><\/strong>. 339<\/a><\/p>\n<p><a href=\"#_Toc150959733\"><strong>contribution of hieroglyphic hittite<\/strong>.. 339<\/a><\/p>\n<p><a href=\"#_Toc150959734\"><strong>Contribution of demotic<\/strong>.. 339<\/a><\/p>\n<p><a href=\"#_Toc150959735\"><strong><em>The unpronounceable name of this auroch god!<\/em><\/strong>  342<\/a><\/p>\n<p><a href=\"#_Toc150959736\"><strong>Adam(a).<\/strong> 343<\/a><\/p>\n<p><a href=\"#_Toc150959737\"><strong>Other pronunciations of the god auroch&#8217;s magical name<\/strong> 344<\/a><\/p>\n<p><a href=\"#_Toc150959738\"><strong><em>Sumerian A &#8211; gu(d) (ku; a-ka; ugu)<\/em><\/strong>. 344<\/a><\/p>\n<p><a href=\"#_Toc150959739\"><strong>Meaning of ku<\/strong>.. 345<\/a><\/p>\n<p><a href=\"#_Toc150959740\"><strong>Meaning of a-gu\/ku or a-aka or a-ugu<\/strong> 346<\/a><\/p>\n<p><a href=\"#_Toc150959741\"><strong><em>the Egyptian<\/em><\/strong>.. 347<\/a><\/p>\n<p><a href=\"#_Toc150959742\"><strong>the ox gw, ngAw, iwA<\/strong>.. 347<\/a><\/p>\n<p><a href=\"#_Toc150959743\"><strong>The bull kA, the ox skA<\/strong>.. 352<\/a><\/p>\n<p><a href=\"#_Toc150959744\"><strong>Findings<\/strong>.. 354<\/a><\/p>\n<p><a href=\"#_Toc150959745\"><strong><em>the hittite a-ga<\/em><\/strong>.. 354<\/a><\/p>\n<p><a href=\"#_Toc150959746\"><strong>Conclusion<\/strong>.. 356<\/a><\/p>\n<p><a href=\"#_Toc150959747\"><strong>Lascaux cave: Sign XIII of the feline diverticulum<\/strong> 357<\/a><\/p>\n<p><a href=\"#_Toc150959748\"><strong><em>Bison association with III<\/em><\/strong>. 357<\/a><\/p>\n<p><a href=\"#_Toc150959749\"><strong>Symbolic equivalence of bison and auroch<\/strong> 358<\/a><\/p>\n<p><a href=\"#_Toc150959750\"><strong>Meaning of alim<\/strong>&#8230; 359<\/a><\/p>\n<p><a href=\"#_Toc150959751\"><strong><em>Meaning of lim<\/em><\/strong>&#8230; 359<\/a><\/p>\n<p><a href=\"#_Toc150959752\"><strong><em>lim-lum association<\/em><\/strong>&#8230; 362<\/a><\/p>\n<p><a href=\"#_Toc150959753\"><strong><em>Association lim-lum-lam<\/em><\/strong>&#8230; 363<\/a><\/p>\n<p><a href=\"#_Toc150959754\"><strong>Conclusion<\/strong>.. 364<\/a><\/p>\n<p><a href=\"#_Toc150959755\"><strong><em>Significance of the cross<\/em><\/strong>.. 365<\/a><\/p>\n<p><a href=\"#_Toc150959756\"><strong>The one god who binds<\/strong>.. 366<\/a><\/p>\n<p><a href=\"#_Toc150959757\"><strong><em>proto-cuneiform<\/em><\/strong>.. 366<\/a><\/p>\n<p><a href=\"#_Toc150959758\"><strong><em>Hieroglyph<\/em><\/strong>.. 369<\/a><\/p>\n<p><a href=\"#_Toc150959759\"><strong>The auroch a god<\/strong>.. 372<\/a><\/p>\n<p><a href=\"#_Toc150959760\"><strong>a sacrificial animal.<\/strong> 372<\/a><\/p>\n<p><a href=\"#_Toc150959761\"><strong>A king.<\/strong> 373<\/a><\/p>\n<p><a href=\"#_Toc150959762\"><strong>A twin<\/strong>.. 374<\/a><\/p>\n<p><a href=\"#_Toc150959763\"><strong>The cross in other ideographic reference languages<\/strong> 375<\/a><\/p>\n<p><a href=\"#_Toc150959764\"><strong><em>Proto-elamite<\/em><\/strong>.. 375<\/a><\/p>\n<p><a href=\"#_Toc150959765\"><strong><em>Linear elamite<\/em><\/strong>.. 376<\/a><\/p>\n<p><a href=\"#_Toc150959766\"><strong><em>Proto indian<\/em><\/strong>.. 378<\/a><\/p>\n<p><a href=\"#_Toc150959767\"><strong><em>Olmec<\/em><\/strong>.. 378<\/a><\/p>\n<p><a href=\"#_Toc150959768\"><strong><em>Hittite cuneiform<\/em><\/strong>.. 379<\/a><\/p>\n<p><a href=\"#_Toc150959769\"><strong>Conclusion on the cross<\/strong>&#8230; 379<\/a><\/p>\n<p><a href=\"#_Toc150959770\"><strong><em>Conclusion on the XIII feline diverticulum<\/em><\/strong> 380<\/a><\/p>\n<p><a href=\"#_Toc150959771\"><strong>Pindal cave: Fish sign III<\/strong> 382<\/a><\/p>\n<p><a href=\"#_Toc150959772\"><strong><em>Meaning of ku<\/em><\/strong>.. 383<\/a><\/p>\n<p><a href=\"#_Toc150959773\"><strong><em>The reason for the proto-cuneiform sign ku<\/em><\/strong> 384<\/a><\/p>\n<p><a href=\"#_Toc150959774\"><strong><em>Ku and the cave<\/em><\/strong>.. 385<\/a><\/p>\n<p><a href=\"#_Toc150959775\"><strong><em>Egyptian Kk<\/em><\/strong>.. 386<\/a><\/p>\n<p><a href=\"#_Toc150959776\"><strong><em>Conclusion on the association of sign III with fish<\/em><\/strong> 386<\/a><\/p>\n<p><a href=\"#_Toc150959777\"><strong>Findings<\/strong>.. 389<\/a><\/p>\n<p><a href=\"#_Toc150959778\"><strong>Marsoulas cave: The large panel fresco<\/strong> 391<\/a><\/p>\n<p><a href=\"#_Toc150959779\"><strong><em>The sign of the two parallel slanted horns<\/em><\/strong> 392<\/a><\/p>\n<p><a href=\"#_Toc150959780\"><strong>Evidenciation<\/strong>.. 392<\/a><\/p>\n<p><a href=\"#_Toc150959781\"><strong><em>Contribution of hieratic<\/em><\/strong>.. 392<\/a><\/p>\n<p><a href=\"#_Toc150959782\"><strong>Meaning<\/strong>.. 393<\/a><\/p>\n<p><a href=\"#_Toc150959783\"><strong><em>The meaning of the logogram A in Proto-Cuneiform and Sumerian<\/em><\/strong> 393<\/a><\/p>\n<p><a href=\"#_Toc150959784\"><strong>\u00c0 = aka = ugu the procreator genitor<\/strong> 395<\/a><\/p>\n<p><a href=\"#_Toc150959785\"><strong>aa the father<\/strong>.. 396<\/a><\/p>\n<p><a href=\"#_Toc150959786\"><strong><em>In other ideographic reference languages<\/em><\/strong> 396<\/a><\/p>\n<p><a href=\"#_Toc150959787\"><strong>In hieroglyphics<\/strong>.. 396<\/a><\/p>\n<p><a href=\"#_Toc150959788\"><strong>In proto-Elamite<\/strong>.. 401<\/a><\/p>\n<p><a href=\"#_Toc150959789\"><strong>In linear elamite<\/strong>.. 401<\/a><\/p>\n<p><a href=\"#_Toc150959790\"><strong>Proto-Indian<\/strong>.. 402<\/a><\/p>\n<p><a href=\"#_Toc150959791\"><strong>Oss\u00e9caille<\/strong>.. 402<\/a><\/p>\n<p><a href=\"#_Toc150959792\"><strong>Hittite..<\/strong> 403<\/a><\/p>\n<p><a href=\"#_Toc150959793\"><strong>Conclusion about the meaning of these two curved parallel &#8220;horns&#8221;: a(d)am<\/strong> 404<\/a><\/p>\n<p><a href=\"#_Toc150959794\"><strong><em>The pettiform<\/em><\/strong>.. 405<\/a><\/p>\n<p><a href=\"#_Toc150959795\"><strong>Evidenciation<\/strong>.. 405<\/a><\/p>\n<p><a href=\"#_Toc150959796\"><strong>Meaning<\/strong>.. 406<\/a><\/p>\n<p><a href=\"#_Toc150959797\"><strong><em>Su in Sumerian (<\/em><\/strong><strong><em>pronounced shou)<\/em><\/strong>. 406<\/a><\/p>\n<p><a href=\"#_Toc150959798\"><strong>The hand as a symbol of royal, divine, Christ-like domination<\/strong> 407<\/a><\/p>\n<p><a href=\"#_Toc150959799\"><strong>A woodcutter&#8217;s hand<\/strong>.. 408<\/a><\/p>\n<p><a href=\"#_Toc150959800\"><strong>Praying to a god of blessings<\/strong> 408<\/a><\/p>\n<p><a href=\"#_Toc150959801\"><strong>Man at the foundation of the world<\/strong>.. 409<\/a><\/p>\n<p><a href=\"#_Toc150959802\"><strong>A twin<\/strong>.. 410<\/a><\/p>\n<p><a href=\"#_Toc150959803\"><strong>The bull sire, the bull man<\/strong> 411<\/a><\/p>\n<p><a href=\"#_Toc150959804\"><strong>ku\u2013 (u)\u0161u<\/strong>.. 411<\/a><\/p>\n<p><a href=\"#_Toc150959805\"><strong>gu-u\u0161<\/strong>.. 418<\/a><\/p>\n<p><a href=\"#_Toc150959806\"><strong><em>Su in hieroglyphics<\/em><\/strong>.. 418<\/a><\/p>\n<p><a href=\"#_Toc150959807\"><strong><em>Conclusion on \u0161u<\/em><\/strong>.. 419<\/a><\/p>\n<p><a href=\"#_Toc150959808\"><strong><em>Tak in Sumerian<\/em><\/strong>.. 420<\/a><\/p>\n<p><a href=\"#_Toc150959809\"><strong>Ta-aka :<\/strong>. 421<\/a><\/p>\n<p><a href=\"#_Toc150959810\"><strong>Te-aka :<\/strong>. 421<\/a><\/p>\n<p><a href=\"#_Toc150959811\"><strong><em>Conclusion on the meaning of the bison, plus the sign of the two horns plus the sign of the hand<\/em><\/strong>.. 423<\/a><\/p>\n<p><a href=\"#_Toc150959812\"><strong><em>The pettiforme Sanga<\/em><\/strong>.. 424<\/a><\/p>\n<p><a href=\"#_Toc150959813\"><strong>Evidenciation<\/strong>.. 424<\/a><\/p>\n<p><a href=\"#_Toc150959814\"><strong>Meaning<\/strong>.. 425<\/a><\/p>\n<p><a href=\"#_Toc150959815\"><strong><em>Inverted &#8220;T&#8221; signs<\/em><\/strong>.. 426<\/a><\/p>\n<p><a href=\"#_Toc150959816\"><strong>Evidenciation<\/strong>.. 426<\/a><\/p>\n<p><a href=\"#_Toc150959817\"><strong>Meaning<\/strong>.. 426<\/a><\/p>\n<p><a href=\"#_Toc150959818\"><strong><em>Interjection \u00d4<\/em><\/strong>.. 426<\/a><\/p>\n<p><a href=\"#_Toc150959819\"><strong><em>Heil! Salute, acclaim, be praised<\/em><\/strong> 427<\/a><\/p>\n<p><a href=\"#_Toc150959820\"><strong><em>Report<\/em><\/strong>.. 428<\/a><\/p>\n<p><a href=\"#_Toc150959821\"><strong><em>The form of the demotic &#8220;i<\/em><\/strong>.. 429<\/a><\/p>\n<p><a href=\"#_Toc150959822\"><strong>Conclusion on the meaning of the &#8220;inverted T<\/strong> 429<\/a><\/p>\n<p><a href=\"#_Toc150959823\"><strong>Hieroglyph<\/strong>.. 430<\/a><\/p>\n<p><a href=\"#_Toc150959824\"><strong><em>The speckled bison<\/em><\/strong>.. 431<\/a><\/p>\n<p><a href=\"#_Toc150959825\"><strong>Evidenciation<\/strong>.. 431<\/a><\/p>\n<p><a href=\"#_Toc150959826\"><strong>Meaning<\/strong>.. 431<\/a><\/p>\n<p><a href=\"#_Toc150959827\"><strong><em>The skull<\/em><\/strong>.. 432<\/a><\/p>\n<p><a href=\"#_Toc150959828\"><strong><em>The speckles<\/em><\/strong>.. 434<\/a><\/p>\n<p><a href=\"#_Toc150959829\"><strong>The meaning of decorations in general<\/strong> 434<\/a><\/p>\n<p><a href=\"#_Toc150959830\"><strong>The specific meaning of speckles<\/strong> 437<\/a><\/p>\n<p><a href=\"#_Toc150959831\"><strong>The skull also expresses the idea of rebirth<\/strong> 443<\/a><\/p>\n<p><a href=\"#_Toc150959832\"><strong><em>The branches<\/em><\/strong>.. 444<\/a><\/p>\n<p><a href=\"#_Toc150959833\"><strong>Evidenciation<\/strong>.. 444<\/a><\/p>\n<p><a href=\"#_Toc150959834\"><strong>Meaning<\/strong>.. 444<\/a><\/p>\n<p><a href=\"#_Toc150959835\"><strong><em>The branch or Ear of wheat in sum\u00e9rien<\/em><\/strong> 444<\/a><\/p>\n<p><a href=\"#_Toc150959836\"><strong><em>The ear of wheat in Egyptian<\/em><\/strong>.. 446<\/a><\/p>\n<p><a href=\"#_Toc150959837\"><strong><em>Conclusion on the meaning of these Wheat ears<\/em><\/strong> 447<\/a><\/p>\n<p><a href=\"#_Toc150959838\"><strong><em>The horse and the branch: anshe<\/em><\/strong>.. 448<\/a><\/p>\n<p><a href=\"#_Toc150959839\"><strong>Evidenciation<\/strong>.. 448<\/a><\/p>\n<p><a href=\"#_Toc150959840\"><strong>Meaning<\/strong>.. 448<\/a><\/p>\n<p><a href=\"#_Toc150959841\"><strong>An\u0161e = ki\u0161<\/strong>.. 452<\/a><\/p>\n<p><a href=\"#_Toc150959842\"><strong><em>The \u00d4 and Re signs on the horse<\/em><\/strong>.. 453<\/a><\/p>\n<p><a href=\"#_Toc150959843\"><strong><em>The branch and the column<\/em><\/strong>.. 455<\/a><\/p>\n<p><a href=\"#_Toc150959844\"><strong><em>The tectiforme and the horse<\/em><\/strong>.. 455<\/a><\/p>\n<p><a href=\"#_Toc150959845\"><strong><em>Conclusion on the large Marsoulas panel fresco<\/em><\/strong> 456<\/a><\/p>\n<p><a href=\"#_Toc150959846\"><strong>Marsoulas cave: the other pettiform sign<\/strong> 457<\/a><\/p>\n<p><a href=\"#_Toc150959847\"><strong>Evidenciation<\/strong>.. 457<\/a><\/p>\n<p><a href=\"#_Toc150959848\"><strong>Meaning<\/strong>.. 458<\/a><\/p>\n<p><a href=\"#_Toc150959849\"><strong><em>In proto-cuneiform<\/em><\/strong>.. 458<\/a><\/p>\n<p><a href=\"#_Toc150959850\"><strong><em>In Hittite hieroglyphics<\/em><\/strong>.. 459<\/a><\/p>\n<p><a href=\"#_Toc150959851\"><strong><em>In proto-Elamite<\/em><\/strong>.. 459<\/a><\/p>\n<p><a href=\"#_Toc150959852\"><strong><em>deciphering the Marsoulas fresco referenced 200 by A.LEROI GOURHAN<\/em><\/strong> 460<\/a><\/p>\n<p><a href=\"#_Toc150959853\"><strong><em>Deciphering the Marsoulas fresco referenced 200 by A. LEROI GOURHAN<\/em><\/strong> 462<\/a><\/p>\n<p><a href=\"#_Toc150959854\"><strong>Lascaux cave: the second Chinese horse<\/strong> 464<\/a><\/p>\n<p><a href=\"#_Toc150959855\"><strong><em>Anesh<\/em><\/strong>&#8230; 465<\/a><\/p>\n<p><a href=\"#_Toc150959856\"><strong><em>the double branch: \u0161e\u0161<\/em><\/strong>.. 465<\/a><\/p>\n<p><a href=\"#_Toc150959857\"><strong>A spiritual brother<\/strong>.. 466<\/a><\/p>\n<p><a href=\"#_Toc150959858\"><strong>An Akkadian<\/strong>.. 466<\/a><\/p>\n<p><a href=\"#_Toc150959859\"><strong>Origin of the word Akkad<\/strong>.. 467<\/a><\/p>\n<p><a href=\"#_Toc150959860\"><strong>A zatu death sign<\/strong>.. 468<\/a><\/p>\n<p><a href=\"#_Toc150959861\"><strong>\u0161e\u0161 \/ zatu \/ sign from the Pindal Cave<\/strong> 469<\/a><\/p>\n<p><a href=\"#_Toc150959862\"><strong>Erin: a king-cedar man, evil, destruction<\/strong> 470<\/a><\/p>\n<p><a href=\"#_Toc150959863\"><strong>Mourning bitterness lamentations<\/strong>.. 471<\/a><\/p>\n<p><a href=\"#_Toc150959864\"><strong>Snake bite<\/strong>.. 472<\/a><\/p>\n<p><a href=\"#_Toc150959865\"><strong>Regeneration<\/strong>.. 472<\/a><\/p>\n<p><a href=\"#_Toc150959866\"><strong><em>the other sign Zatu<\/em><\/strong>.. 473<\/a><\/p>\n<p><a href=\"#_Toc150959867\"><strong>Sumerian<\/strong>.. 473<\/a><\/p>\n<p><a href=\"#_Toc150959868\"><strong><em>the zatu sign Proto-Elamite<\/em><\/strong>.. 473<\/a><\/p>\n<p><a href=\"#_Toc150959869\"><strong><em>The claviform rl<\/em><\/strong>.. 474<\/a><\/p>\n<p><a href=\"#_Toc150959870\"><strong>The demotic<\/strong>.. 474<\/a><\/p>\n<p><a href=\"#_Toc150959871\"><strong><em>The demotic L<\/em><\/strong>.. 475<\/a><\/p>\n<p><a href=\"#_Toc150959872\"><strong><em>Proto-Indian<\/em><\/strong>.. 476<\/a><\/p>\n<p><a href=\"#_Toc150959873\"><strong><em>The la in linear elamite<\/em><\/strong>.. 476<\/a><\/p>\n<p><a href=\"#_Toc150959874\"><strong><em>Cretan hieroglyph<\/em><\/strong>.. 476<\/a><\/p>\n<p><a href=\"#_Toc150959875\"><strong><em>Conclusion about the sign for L<\/em><\/strong>.. 477<\/a><\/p>\n<p><a href=\"#_Toc150959876\"><strong><em>The R<\/em><\/strong>.. 477<\/a><\/p>\n<p><a href=\"#_Toc150959877\"><strong><em>The L<\/em><\/strong>.. 477<\/a><\/p>\n<p><a href=\"#_Toc150959878\"><strong><em>Transliteration of sign: rl or ll<\/em><\/strong>.. 478<\/a><\/p>\n<p><a href=\"#_Toc150959879\"><strong><em>Conclusion on China&#8217;s second horse<\/em><\/strong> 479<\/a><\/p>\n<p><a href=\"#_Toc150959880\"><strong>Lascaux cave: the black stag fresco in the axial diverticulum<\/strong> 481<\/a><\/p>\n<p><a href=\"#_Toc150959881\"><strong><em>Evidenciation<\/em><\/strong>.. 481<\/a><\/p>\n<p><a href=\"#_Toc150959882\"><strong>Axial diverticulum black stag<\/strong>.. 481<\/a><\/p>\n<p><a href=\"#_Toc150959883\"><strong><em>Meaning<\/em><\/strong>.. 482<\/a><\/p>\n<p><a href=\"#_Toc150959884\"><strong>The meaning of deer<\/strong>.. 482<\/a><\/p>\n<p><a href=\"#_Toc150959885\"><strong><em>In Sumerian<\/em><\/strong>.. 482<\/a><\/p>\n<p><a href=\"#_Toc150959886\"><strong>Lu<\/strong>.. 483<\/a><\/p>\n<p><a href=\"#_Toc150959887\"><strong>Lim<\/strong>&#8230; 484<\/a><\/p>\n<p><a href=\"#_Toc150959888\"><strong><em>Conclusion on the meaning of lulim<\/em><\/strong>&#8230; 485<\/a><\/p>\n<p><a href=\"#_Toc150959889\"><strong>In Egyptian<\/strong>.. 486<\/a><\/p>\n<p><a href=\"#_Toc150959890\"><strong>demotique :<\/strong>. 487<\/a><\/p>\n<p><a href=\"#_Toc150959891\"><strong>Conclusion<\/strong>.. 489<\/a><\/p>\n<p><a href=\"#_Toc150959892\"><strong>Meaning of The Black Stag fresco<\/strong> 490<\/a><\/p>\n<p><a href=\"#_Toc150959893\"><strong><em>the simple rectangle \u00f1i\u0161 or \u00f1e\u0161<\/em><\/strong>.. 490<\/a><\/p>\n<p><a href=\"#_Toc150959894\"><strong><em>Equivalence of \u00f1i\u0161\/\u00f1e\u0161 with ki\u0161\/ke\u0161.<\/em><\/strong>  493<\/a><\/p>\n<p><a href=\"#_Toc150959895\"><strong>ki\u0161 or ke\u0161 = ku\u0161 = gu\u0161 equivalent of adam(a)<\/strong> 493<\/a><\/p>\n<p><a href=\"#_Toc150959896\"><strong>A deified primordial father<\/strong>.. 494<\/a><\/p>\n<p><a href=\"#_Toc150959897\"><strong><em>Ki\u0161: the deer ideogram<\/em><\/strong>.. 496<\/a><\/p>\n<p><a href=\"#_Toc150959898\"><strong><em>Conclusion on the meaning of Sumerian \u00f1i\u0161\/\u00f1e\u0161\/ki\u0161\/ke\u0161<\/em><\/strong> 497<\/a><\/p>\n<p><a href=\"#_Toc150959899\"><strong><em>the Egyptian rectangle<\/em><\/strong>.. 498<\/a><\/p>\n<p><a href=\"#_Toc150959900\"><strong>The canal<\/strong>.. 498<\/a><\/p>\n<p><a href=\"#_Toc150959901\"><strong>S: basin \/ canal<\/strong>.. 499<\/a><\/p>\n<p><a href=\"#_Toc150959902\"><strong>Recognizing the meaning of the channel in Egyptian<\/strong> 500<\/a><\/p>\n<p><a href=\"#_Toc150959903\"><strong><em>meaning of The series of points<\/em><\/strong>.. 501<\/a><\/p>\n<p><a href=\"#_Toc150959904\"><strong><em>Rectangle transliteration with line of dots<\/em><\/strong> 501<\/a><\/p>\n<p><a href=\"#_Toc150959905\"><strong><em>The meaning of a deer&#8217;s antlers<\/em><\/strong>.. 502<\/a><\/p>\n<p><a href=\"#_Toc150959906\"><strong><em>Conclusion on the black deer fresco<\/em><\/strong> 503<\/a><\/p>\n<p><a href=\"#_Toc150959907\"><strong>The Y sign<\/strong>.. 504<\/a><\/p>\n<p><a href=\"#_Toc150959908\"><strong><em>The normal Y sign<\/em><\/strong>.. 504<\/a><\/p>\n<p><a href=\"#_Toc150959909\"><strong>Proto-Cuneiform<\/strong>.. 504<\/a><\/p>\n<p><a href=\"#_Toc150959910\"><strong>demotique<\/strong>.. 505<\/a><\/p>\n<p><a href=\"#_Toc150959911\"><strong><em>The s sign<\/em><\/strong>.. 505<\/a><\/p>\n<p><a href=\"#_Toc150959912\"><strong><em>The \u0161 sign<\/em><\/strong>.. 507<\/a><\/p>\n<p><a href=\"#_Toc150959913\"><strong><em>The sign for &#8220;i<\/em><\/strong>.. 508<\/a><\/p>\n<p><a href=\"#_Toc150959914\"><strong><em>The sign for &#8220;a<\/em><\/strong>.. 508<\/a><\/p>\n<p><a href=\"#_Toc150959915\"><strong><em>Resemblance to L?<\/em><\/strong>.. 511<\/a><\/p>\n<p><a href=\"#_Toc150959916\"><strong>Proto-Indian<\/strong>.. 511<\/a><\/p>\n<p><a href=\"#_Toc150959917\"><strong><em>The inverted Y sign<\/em><\/strong>.. 511<\/a><\/p>\n<p><a href=\"#_Toc150959918\"><strong>proto-cuneiform<\/strong>.. 511<\/a><\/p>\n<p><a href=\"#_Toc150959919\"><strong>in demotic<\/strong>.. 514<\/a><\/p>\n<p><a href=\"#_Toc150959920\"><strong><em>Conclusion on the Y<\/em><\/strong>.. 515<\/a><\/p>\n<p><a href=\"#_Toc150959921\"><strong>Lascaux cave: the acephalous equid<\/strong>.. 517<\/a><\/p>\n<p><a href=\"#_Toc150959922\"><strong><em>an\u0161e and ki\u0161<\/em><\/strong>.. 518<\/a><\/p>\n<p><a href=\"#_Toc150959923\"><strong><em>Dugud<\/em><\/strong>.. 518<\/a><\/p>\n<p><a href=\"#_Toc150959924\"><strong><em>Conclusion<\/em><\/strong>.. 522<\/a><\/p>\n<p><a href=\"#_Toc150959925\"><strong>Lascaux cave: The great black bull<\/strong> 523<\/a><\/p>\n<p><a href=\"#_Toc150959926\"><strong><em>Assignment to prehistoric signs<\/em><\/strong>.. 525<\/a><\/p>\n<ol>\n<li><a href=\"#_Toc150959927\"> <strong> Chevrons point up (a) and point down (b); zigzags (c)<\/strong> 525<\/a><\/li>\n<\/ol>\n<p><a href=\"#_Toc150959928\"><strong><em>Structuring of the analysis<\/em><\/strong>.. 525<\/a><\/p>\n<p><a href=\"#_Toc150959929\"><strong><em>Egyptian :<\/em><\/strong>. 526<\/a><\/p>\n<p><a href=\"#_Toc150959930\"><strong>A first transliteration: Hn<\/strong>.. 527<\/a><\/p>\n<p><a href=\"#_Toc150959931\"><strong>A second transliteration: s<\/strong>.. 528<\/a><\/p>\n<p><a href=\"#_Toc150959932\"><strong>a third transliteration: is<\/strong>.. 528<\/a><\/p>\n<p><a href=\"#_Toc150959933\"><strong>a fourth transliteration: &#8220;i&#8221;, &#8220;A&#8221;, the single stroke<\/strong> 531<\/a><\/p>\n<p><a href=\"#_Toc150959934\"><strong>with triple line association<\/strong>.. 532<\/a><\/p>\n<p><a href=\"#_Toc150959935\"><strong>The bush and the broom<\/strong>. 533<\/a><\/p>\n<p><a href=\"#_Toc150959936\"><strong><em>Sumerian meaning of kAkA<\/em><\/strong>.. 533<\/a><\/p>\n<p><a href=\"#_Toc150959937\"><strong>The procreative ancestor<\/strong>.. 533<\/a><\/p>\n<p><a href=\"#_Toc150959938\"><strong>excrements, manure<\/strong>.. 534<\/a><\/p>\n<p><a href=\"#_Toc150959939\"><strong><em>the other sign of the broom<\/em><\/strong>. 535<\/a><\/p>\n<p><a href=\"#_Toc150959940\"><strong>The symbol associated with the bush \/ le Fourr\u00e9<\/strong> 537<\/a><\/p>\n<p><a href=\"#_Toc150959941\"><strong><em>In Egyptian<\/em><\/strong>.. 538<\/a><\/p>\n<p><a href=\"#_Toc150959942\"><strong><em>In Sumerian<\/em><\/strong>.. 539<\/a><\/p>\n<p><a href=\"#_Toc150959943\"><strong>an imperfect and mortal Being<\/strong>.. 540<\/a><\/p>\n<p><a href=\"#_Toc150959944\"><strong>the primordial father and father of the gods under the sun, the Star<\/strong> 540<\/a><\/p>\n<p><a href=\"#_Toc150959945\"><strong>The father by association with the arm<\/strong>.. 541<\/a><\/p>\n<p><a href=\"#_Toc150959946\"><strong>The thicket and the broom bush<\/strong>. 542<\/a><\/p>\n<p><a href=\"#_Toc150959947\"><strong><em>Intermediary statement<\/em><\/strong>.. 544<\/a><\/p>\n<p><a href=\"#_Toc150959948\"><strong><em>Sumerian: the bush in Sumerian<\/em><\/strong>.. 545<\/a><\/p>\n<p><a href=\"#_Toc150959949\"><strong>Preliminary reminder of the wotd father : its meanings directions and double meanings<\/strong> 545<\/a><\/p>\n<p><a href=\"#_Toc150959950\"><strong>The bush in Sumerian<\/strong>.. 546<\/a><\/p>\n<p><a href=\"#_Toc150959951\"><strong><em>a father&#8217;s namesake<\/em><\/strong>.. 546<\/a><\/p>\n<p><a href=\"#_Toc150959952\"><strong><em>A homonym of kish<\/em><\/strong>&#8230; 547<\/a><\/p>\n<p><a href=\"#_Toc150959953\"><strong><em>The ki\u0161ik ideogram<\/em><\/strong>.. 548<\/a><\/p>\n<p><a href=\"#_Toc150959954\"><strong><em>The u.gir ideogram<\/em><\/strong>.. 549<\/a><\/p>\n<p><a href=\"#_Toc150959955\"><strong>Conclusion on the black bull<\/strong>.. 551<\/a><\/p>\n<p><a href=\"#_Toc150959956\"><strong>The direct spiritual filiation between the prehistoric father of the gods and Kish in Sumer, Gizeh in Egypt, Hatti in Hittite country<\/strong> 553<\/a><\/p>\n<p><a href=\"#_Toc150959957\"><strong><em>Sumer and the City of Kish<\/em><\/strong>&#8230; 556<\/a><\/p>\n<p><a href=\"#_Toc150959958\"><strong><em>Kish and Giza<\/em><\/strong>&#8230; 558<\/a><\/p>\n<p><a href=\"#_Toc150959959\"><strong>Pre<\/strong><\/a><a href=\"#_Toc150959959\"><strong>amble to Giza<\/strong>&#8230; 558<\/a><\/p>\n<p><a href=\"#_Toc150959960\"><strong>The Etymology of Giza<\/strong>&#8230; 560<\/a><\/p>\n<p><a href=\"#_Toc150959961\"><strong><em>Ms. Gigal&#8217;s key contribution<\/em><\/strong>.. 560<\/a><\/p>\n<p><a href=\"#_Toc150959962\"><strong>Conclusion on the origin of the name Giza<\/strong> 561<\/a><\/p>\n<p><a href=\"#_Toc150959963\"><strong><em>If you doubt that Egypt inherited its tradition from an older world<\/em><\/strong> 563<\/a><\/p>\n<p><a href=\"#_Toc150959964\"><strong>Objective findings<\/strong>.. 568<\/a><\/p>\n<p><a href=\"#_Toc150959965\"><strong><em>In Hittite<\/em><\/strong>.. 569<\/a><\/p>\n<p><a href=\"#_Toc150959966\"><strong>Hatti<\/strong>. 569<\/a><\/p>\n<p><a href=\"#_Toc150959967\"><strong>Wa, wi<\/strong>. 571<\/a><\/p>\n<p><a href=\"#_Toc150959968\"><strong><em>A brief note on biblical thought about the bush and the thicket<\/em><\/strong> 573<\/a><\/p>\n<p><a href=\"#_Toc150959969\"><strong>Thorn Bush:<\/strong>. 573<\/a><\/p>\n<p><a href=\"#_Toc150959970\"><strong>The thicket<\/strong>.. 574<\/a><\/p>\n<p><a href=\"#_Toc150959971\">REASONS FOR THE TEMPORARY INTERRUPTION OF DECRYPTION 576<\/a><\/p>\n<p><a href=\"#_Toc150959972\"><strong>The need for a structured prior explanation of the prehistoric faith<\/strong> 576<\/a><\/p>\n<p><a href=\"#_Toc150959973\"><strong><em>Readers&#8217; lack of critical thinking<\/em><\/strong> 578<\/a><\/p>\n<p><a href=\"#_Toc150959974\"><strong><em>A serious problem of method and presentation of the material on my part.<\/em><\/strong>  579<\/a><\/p>\n<p><a href=\"#_Toc150959975\">CONCLUSION ON THIS DISCOVERY:. 586<\/a><\/p>\n<p><a href=\"#_Toc150959976\">FOR THE LITTLE STORY OF THE BIG STORY, OF THIS DISCOVERY 592<\/a><\/p>\n<p><a href=\"#_Toc150959977\">FOR THE JOKE, CHAT GPT4&#8217;S ANSWERS&#8230; 596<\/a><\/p>\n<p><a href=\"#_Toc150959978\"><strong><em>What is the meaning of prehistoric symbols?<\/em><\/strong> 596<\/a><\/p>\n<p><a href=\"#_Toc150959979\"><strong><em>What is the meaning of the rock signs<\/em><\/strong> 597<\/a><\/p>\n<p><a href=\"#_Toc150959980\"><strong><em>What is the meaning of cave signs? ?<\/em><\/strong> 598<\/a><\/p>\n<p><a href=\"#_Toc150959981\"><strong><em>What is the significance of Lascaux ?<\/em><\/strong> 599<\/a><\/p>\n<p><a href=\"#_Toc150959982\"><strong><em>Is Lascaux a sanctuary ?<\/em><\/strong>.. 600<\/a><\/p>\n<p><a href=\"#_Toc150959983\"><strong><em>Conclusion on gpt4 chat\u2026<\/em><\/strong>&#8230;. 601<\/a><\/p>\n<p><a href=\"#_Toc150959984\">BIBLIOGRAPHY.. 602<\/a><\/p>\n<p><a href=\"#_Toc150959985\">ABOUT THE AUTHOR.. 604<\/a><\/p>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1711ae7 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"1711ae7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t<div class=\"elementor-element elementor-element-bf0e843 e-flex e-con-boxed e-con e-parent\" data-id=\"bf0e843\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-cd6765a e-flex e-con-boxed e-con e-parent\" data-id=\"cd6765a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-56bfa04 elementor-widget elementor-widget-heading\" data-id=\"56bfa04\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Add your title here<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Below is a PDF excerpt from the book (in french only) EXTRAIT PDF (en fran\u00e7ais) Please find below the contents of the book Contents of the book WEBSITE&#8230; 5 TABLE OF CONTENTS&#8230; 9 EXAMPLE OF THE LASCAUX SITE&#8230; 34 The Unicorn panel :. 34 WHAT&#8217;S A BRIEF EXPLANATION OF LASCAUX? 35 Brief deciphering.. 36 ROCK [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":44839,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-1345","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-volume-2-the-bible-of-vs-mythology"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ADAM (KISH, GIZEH), THE GREAT PREHISTORIC PAIAN GOD or deciphering the language of the caves - Yvar Bregeant<\/title>\n<meta name=\"description\" content=\"This book demonstrates that rock paintings (animals and signs) correspond to an ideographic language and deciphers 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