Welcome to the site of the literary series entitled


by yvar bregeant



And welcome to my website,

I’m Yvar Bregeant, the author of this literary series, which aims to help you learn the truth about the Genesis of humanity and choose between its different versions or religions.
To achieve this, his approach and angle of analysis are totally different from anything that has been written on the subject to date.
In fact, it goes back in time by searching in Mythology for the account of primordial events that have remained engraved in the memory of humanity, managing to reconstruct the original archaic myth thanks to comparative mythology and comparative symbology.
It deciphers mythological language by deciphering every symbol thanks to deep knowledge of the most archaic languages, (proto)Sumerian and hieroglyphic Egyptian. As we shall see, these two sacred languages were used by the most ancient priesthoods to encode the memory of the most ancestral humanity in myths dating back to prehistoric times. It will be shown that the Upper Palaeolithic rock paintings correspond to the oldest known ideographic language: protosumerian.
Once this deciphering done, this series will give you a complete understanding of the version of the Genesis of mankind conveyed by the mythological religion of prehistoric man.
It will also enable you to gradually and clearly identify the differences between the versions of the account of these events in mythological religion and in the biblical genesis of the Judeo-Christian religion.
It will help you to understand how prehistoric mythological religion, through Sumer and Egypt, permeated all the Earth cults of the historical era.
It will unravel all its mysteries, beliefs, symbols and rituals, including the sacred reasons for the architecture and ornamentation of its temples (from the Megalithic era, ancient or more recent).
As we reach a crucial moment in human history, the primary and ultimate aim of this series is to provide as many people as possible, regardless of colour, race, creed or social class, with a new angle of analysis, a more complete knowledge enabling everyone to distinguish the wheat from the chaff, the true from the false.
I sincerely hope that once you’ve reached the end of this series you’ll make the right choice.
For now, I can only thank the thousands of readers* who have flocked to the site from all over the world in the short time since it went online and was implemented.
I’ve translated it into 10 languages, because I want this knowledge to be accessible, as far as possible, free of charge, to everyone.
I’m relying heavily on crowdfunding to make this possible.
This is a living site and its implementation will be gradual. This is why the subjects that are currently missing will gradually come to life, fairly quickly given the considerable volume of research carried out and the need for their optimised presentation.

So subscribe to my networks for article and video updates!

Many thanks for your interest and support,



An example?

Here is the very first video (with english subtitles) :

It is taken from the book “Le déchiffrage du langage des cavernes” (Deciphering the language of caves) and illustrates the fact that proto-Sumerian corresponds to the ideographic language of cave paintings by deciphering two frescoes in the Marsoulas cave (bison + signs), one of which contains a very characteristic pettiforme sign.


Ideally, you should start in the right order, i.e. with the preface, in which I explain the methodology applied in this series (the reason for using archaic linguistics, comparative mythology, etc.).

I also introduce the important consequences of my discoveries.

Finally, I’d like to give you a few tips on how to get the most out of reading it, by being ready to turn the tables on corporatism, history, science and religion, while at the same time taking a step back from its author (me!), its form and its content.

As well as reading the preface, if you’d like to take a closer look at this literary series, understand how it is structured and how it gradually tackles all these issues, volume by volume, book by book, I invite you to go to the menu structure tab:

I’ve also created a section dedicated to each of my previously published books so that you can find out more about them and a link for those who may wish to buy them.

(Because of the large number of footnotes and references, I recommend that you buy the digital version for optimum reading comfort).

I have set up a blog section where a fairly large proportion of the books and their content can be freely read online in the form of blog posts:

I’ve also found it useful to create a section entitled: the symbols dictionary. Basically, it is the online correspondence of volume 3 “The Bible of the symbol of prehistoric and ancient mythological religion” in that it provides the polysemous meaning of all the symbols that make up the sacred symbolic language of prehistoric and ancient mythological religion. It is therefore essential to know them in order to understand this sacred language.

The site exploded internationally in a very short space of time! (Source Google analytics)

My selection of the latest blog posts taken from my books and available in the Read online section

This article will translate the entire fresco on the large panel in the Marsoulas cave using the proto-Sumerian ideographic language and its associated languages, Sumerian and hieroglyphic. This article is one of ten deciphering examples taken from the book “Deciphering the language of caves” that illustrate in concrete terms the fact that the pairs of animals and signs identified by archaeologists and dated to the Upper Palaeolithic actually correspond in every respect to the protosumerian ideographic language, the oldest known ideographic language.

This article deciphers the bull / auroch fresco and its signs, in the proto-Sumerian ideographic language and its associated languages: Sumerian and hieroglyphic. He proves that this is the great prehistoric divinity and reveals his name.

Explanation through analysis of the symbols of Tanit and the sacred Sumerian and hieroglyphic etymology

Associated with the symbols of the Egyptian Ankh, the Eye of Providence (Deists, Freemasons, Illuminati) and the Cross.

This article will provide a foundation stone for understanding the profound symbolism of certain specific cave hands and of all the symbols listed, demonstrating through their interconnection the universality and timelessness of this hidden aspect of the cult of the great divinity, celebrated by paganism from prehistoric times right up to the present day.

This article explains why the Mother Goddess and the great deities were depicted in a crouching position.

We will see the link with the belief in their power to bring fertility to the world of the living and, above all, rebirth to the dead.

We’ll also look at the close link between this representation and the symbolic category of fluids.